{"id":2201,"date":"2023-08-08T09:48:05","date_gmt":"2023-08-08T08:48:05","guid":{"rendered":"https:\/\/www.hlas-pravoslavi.cz\/?p=2201"},"modified":"2023-11-20T09:11:56","modified_gmt":"2023-11-20T08:11:56","slug":"monastyr-chora-unikatni-vzor-teologie-v-barvach","status":"publish","type":"post","link":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/2023\/08\/08\/monastyr-chora-unikatni-vzor-teologie-v-barvach\/","title":{"rendered":"Monast\u00fdr Ch\u00f3ra \u2013 unik\u00e1tn\u00ed vzor teologie v\u00a0barv\u00e1ch"},"content":{"rendered":"\n

Chr\u00e1m svat\u00e9ho Spasitele Ch\u00f3ra, jen\u017e je nejl\u00e9pe zachovanou pam\u00e1tkou byzantsk\u00e9ho um\u011bn\u00ed v Istanbulu, se za\u010dal stav\u011bt v prvn\u00ed polovin\u011b 4. stolet\u00ed. V\u011bt\u0161\u00ed \u010d\u00e1st sou\u010dasn\u00e9 budovy chr\u00e1mu poch\u00e1z\u00ed z 11. a 12. stolet\u00ed, ale svou kone\u010dnou podobu z\u00edskal v letech 1315\u20131321. Chr\u00e1m je zn\u00e1m p\u0159edev\u0161\u00edm sv\u00fdmi mozaikami a freskami, kter\u00e9 jsou n\u00e1dhern\u00fdm zn\u00e1zorn\u011bn\u00edm pravoslavn\u00e9ho u\u010den\u00ed.<\/p>\n\n\n\n

Po p\u00e1du Konstantinopole byl chr\u00e1m prom\u011bn\u011bn Turky na me\u0161itu Kariye a v\u00a0roce 1511 v\u0161echna zobrazen\u00ed byla zamalov\u00e1na. V\u00a0roce 1958 byl po rozs\u00e1hl\u00e9 rekonstrukci monast\u00fdr zp\u0159\u00edstupn\u011bn n\u00e1v\u0161t\u011bvn\u00edk\u016fm jako muzeum. V\u00a0roce 2020 z\u00a0iniciativy tureck\u00e9ho prezidenta vl\u00e1da znovu prom\u011bnila tuto k\u0159es\u0165anskou svatyni na me\u0161itu.<\/p>\n\n\n\n

Druh\u00fd po chr\u00e1mu sv. Sofie<\/strong><\/p>\n\n\n\n

Monast\u00fdr Ch\u00f3ra je jednou z nejv\u00fdznamn\u011bj\u0161\u00edch pam\u00e1tek byzantsk\u00e9ho um\u011bn\u00ed. Z hlediska v\u00fdznamu pro k\u0159es\u0165ansk\u00fd sv\u011bt je druh\u00fdm po konstantinopolsk\u00e9m chr\u00e1mu sv. Sofie Konstantinopolsk\u00e9. Unik\u00e1tn\u00ed sb\u00edrka byzantsk\u00fdch mozaik a fresek vznikla na po\u010d\u00e1tku 14. stolet\u00ed, v dob\u011b vl\u00e1dy c\u00edsa\u0159sk\u00e9 dynastie Palaiolog\u016f. Objednavatelem byl velik\u00fd logothet Theodor Metochites, hlavn\u00ed poradce c\u00edsa\u0159e Andronika II. Palaiologa. Funkce velik\u00e9ho logotheta t\u00e9 doby se d\u00e1 srovnat se sou\u010dasnou funkc\u00ed p\u0159edsedy vl\u00e1dy. Theodor Metochites byl nejvzd\u011blan\u011bj\u0161\u00edm \u010dlov\u011bkem sv\u00e9 doby, teologem a spisovatelem. Tento vzne\u0161en\u00fd mu\u017e pozval nejlep\u0161\u00ed konstantinopolsk\u00e9 um\u011blce, aby vyzdobili chr\u00e1m.<\/p>\n\n\n\n

Chr\u00e1m Spasitele monast\u00fdru Ch\u00f3ra je za\u0159azen na seznam kulturn\u00edho d\u011bdictv\u00ed UNESCO mezi nejv\u00fdznamn\u011bj\u0161\u00ed pam\u00e1tky byzantsk\u00e9ho um\u011bn\u00ed.<\/p>\n\n\n\n

Chr\u00e1mov\u00e9 mozaiky a fresky byly po dobyt\u00ed Konstantinopole hrub\u011b zamalov\u00e1ny. Kdy\u017e v 19. stolet\u00ed byla odstran\u011bna tureck\u00e1 om\u00edtka a odkryta \u010d\u00e1st mozaik a n\u00e1st\u011bnn\u00fdch maleb chr\u00e1mu, badatel\u00e9 nemohli uv\u011b\u0159it, \u017ee toto vytvo\u0159ili \u0159e\u010dt\u00ed mist\u0159i. Vznikla teorie o tom, \u017ee mozaiky jsou d\u00edlem nezn\u00e1m\u00fdch italsk\u00fdch mistr\u016f. V\u0161e ale bylo p\u0159esn\u011b naopak: pr\u00e1v\u011b byzantsk\u00e9 um\u011bn\u00ed ovlivnilo um\u011bn\u00ed italsk\u00e9 Protorenesance.<\/p>\n\n\n\n

Ch\u00f3ra jako jm\u00e9no Bo\u017e\u00ed<\/strong><\/p>\n\n\n\n

V turistick\u00fdch pr\u016fvodc\u00edch se tvrd\u00ed, \u017ee n\u00e1zev Ch\u00f3ra vznikl kv\u016fli um\u00edst\u011bn\u00ed chr\u00e1mu mimo m\u011bstsk\u00e9 hradby, \u010dasto se p\u0159ekl\u00e1d\u00e1 jako \u201ev pol\u00edch\u201c. Ji\u017e na za\u010d\u00e1tku 5. stolet\u00ed byl v pr\u016fb\u011bhu stavby nov\u00fdch hradeb chr\u00e1m za\u010dlen\u011bn do hlavn\u00edho m\u011bsta, n\u00e1zev se v\u0161ak zachoval dodnes. Existuje ale jin\u00e1 verze p\u016fvodu jm\u00e9na Ch\u00f3ra. N\u00e1zev nen\u00ed spojen s lokac\u00ed, ale se zasv\u011bcen\u00edm monast\u00fdru Kristovi. Ch\u00f3ra je toti\u017e jedn\u00edm s posv\u00e1tn\u00fdch pojmenov\u00e1n\u00ed druh\u00e9 Osoby Svat\u00e9 Trojice a znamen\u00e1 \u201eBo\u017esk\u00e9 prostranstv\u00ed\u201c. Je to stejn\u00e1 \u00farove\u0148 zasv\u011bcen\u00ed jako v p\u0159\u00edpad\u011b chr\u00e1mu svat\u00e9 Sofie \u2013 Velemoudrosti Bo\u017e\u00ed Krista Logu nebo nedaleko stoj\u00edc\u00edho chr\u00e1mu svat\u00e9 Iriny, kter\u00fd je zasv\u011bcen Kristu jako Pokoji (\u0395\u1f30\u03c1\u03ae\u03bd\u03b7 \u2013 pokoj), a nikoliv zn\u00e1m\u00e9 k\u0159es\u0165ansk\u00e9 mu\u010dednici.<\/p>\n\n\n\n

Nad hlavn\u00edm vchodem do chr\u00e1mu se nach\u00e1z\u00ed portr\u00e9t Theodora Metochita \u2013 velk\u00e1 kompozice zobrazuj\u00edc\u00ed don\u00e1tora skl\u00e1n\u011bj\u00edc\u00edho se p\u0159ed P\u00e1nem sed\u00edc\u00edm na tr\u016fnu a p\u0159in\u00e1\u0161ej\u00edc\u00edho k jeho noh\u00e1m model zrekonstruovan\u00e9ho a ozdoben\u00e9ho chr\u00e1mu.<\/p>\n\n\n\n

\n
\"\"<\/a>
Theodor Metochites p\u0159in\u00e1\u0161\u00ed Kristovi model chr\u00e1mu Ch\u00f3ra<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Hlavn\u00ed obrazy Krista nad vchodem do p\u0159eds\u00edn\u011b a vlevo od olt\u00e1\u0159e maj\u00ed vz\u00e1cn\u00fd n\u00e1pis: \u201eJe\u017e\u00ed\u0161 Kristus Ch\u00f3ra ton zonton (Kristus Prostranstv\u00ed \u017eiv\u00fdch)\u201c. Odkazuje se tady tak\u00e9 na \u017ealm 116: \u201eP\u0159ed Hospodinem sm\u00edm d\u00e1le chodit v zemi (ch\u00f3ra) \u017eiv\u00fdch\u201c (116:9). Ch\u00f3ra se objevuje v n\u00e1pisech t\u0159ech dal\u0161\u00edch obraz\u016f Matky Bo\u017e\u00ed s d\u00edt\u011btem: \u201eMater Theou. Ch\u00f3ra tou Achor\u00e9tou (Matka Bo\u017e\u00ed \u2014 Prostranstv\u00ed toho, kdo se nevm\u011bstn\u00e1v\u00e1 do prostranstv\u00ed)\u201c. Jsou um\u00edst\u011bny pod\u00e9l centr\u00e1ln\u00ed osy sm\u011brem k olt\u00e1\u0159i. Theodor Metochites n\u00e1m d\u00e1v\u00e1 t\u011b\u017ek\u00fd, ale jasn\u00fd kl\u00ed\u010d k pochopen\u00ed cel\u00e9ho ikonografick\u00e9ho z\u00e1m\u011bru a teologick\u00e9 my\u0161lenky, na kter\u00e9 se zakl\u00e1d\u00e1.<\/p>\n\n\n\n

\n
\"\"<\/a>
Ch\u00f3ra ton zonton<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Ch\u00f3ra tou Achor\u00e9tou<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Ch\u00f3ra tou Achor\u00e9tou<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Nejlep\u0161\u00ed mozaiky sv\u011bta<\/strong><\/p>\n\n\n\n

Mozaikov\u00fd cyklus chr\u00e1mu je snad nejlep\u0161\u00edm mozaikov\u00fdm d\u00edlem na sv\u011bt\u011b. Pokud porovn\u00e1me mozaiky v\u0161ech tradic a dob, mozaiky monast\u00fdru Ch\u00f3ra budou prvn\u00ed z hlediska um\u011bleck\u00e9 dokonalosti. Jsou dob\u0159e zachov\u00e1ny ve dvou p\u0159eds\u00edn\u00edch \u2013 exonartexu (vn\u011bj\u0161\u00edm otev\u0159en\u00e9m) a vnit\u0159n\u00edm nartexu. T\u00e9matem mozaikov\u00fdch obraz\u016f je \u017eivot Krista a Matky Bo\u017e\u00ed. Zobrazen\u00ed popisuj\u00edc\u00ed \u017eivot Bohorodice zahrnuj\u00ed sy\u017eety, kter\u00e9 nejsou pops\u00e1ny evangelisty a jsou zn\u00e1my pouze z c\u00edrkevn\u00ed tradice: odm\u00edtnut\u00ed J\u00e1chymovy ob\u011bti, J\u00e1chym na pou\u0161ti, zv\u011bstov\u00e1n\u00ed sv. Ann\u011b, narozen\u00ed Panny Marie, Bohorodice s rodi\u010di, uveden\u00ed Bohorodice do chr\u00e1mu, zasnouben\u00ed ctihodn\u00e9mu Josefovi a dal\u0161\u00ed.<\/p>\n\n\n\n

\n
\"\"<\/a>
Zv\u011bstov\u00e1n\u00ed sv. Ann\u011b<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Bohorodice s rodi\u010di<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Prvn\u00ed kroky p\u0159esvat\u00e9 Bohorodice<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Uveden\u00ed p\u0159esvat\u00e9 Bohorodice do chr\u00e1mu<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Bohorodice krmena and\u011blem<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Zasnouben\u00ed sv. Josefovi<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Mezi vz\u00e1cn\u00e1 zobrazen\u00ed pat\u0159\u00ed prvn\u00ed kroky Panny Marie, lou\u010den\u00ed sv. Josefa s Mari\u00ed (kdy\u017e ji cht\u011bl potaj\u00ed propustit) a vyhl\u00e1\u0161en\u00ed soupisu lidu c\u00edsa\u0159em Augustem, kter\u00fd se podle sv\u011bdectv\u00ed evangelisty Luk\u00e1\u0161e konal, kdy\u017e S\u00fdrii spravoval Quirinius.<\/p>\n\n\n\n

\n
\"\"<\/a>
Lou\u010den\u00ed sv. Josefa s Mari\u00ed<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Vyhl\u00e1\u0161en\u00ed soupisu lidu c\u00edsa\u0159em<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Po\u010detn\u00e9 mozaiky zn\u00e1zor\u0148uj\u00ed narozen\u00ed P\u00e1na Je\u017e\u00ed\u0161e, \u00fat\u011bk svat\u00e9 rodiny do Egypta a Kristovy z\u00e1zraky: uzdraven\u00ed ochrnut\u00e9ho v Kafarnaum, uzdraven\u00ed Petrovy tchyn\u011b, z\u00e1zrak s v\u00ednem na svatb\u011b v K\u00e1n\u011b Galilejsk\u00e9, nasycen\u00ed mno\u017estv\u00ed lid\u00ed, uzdraven\u00ed krv\u00e1cej\u00edc\u00ed \u017eeny.<\/p>\n\n\n\n

\n
\"\"<\/a>
Uzdraven\u00ed ochrnut\u00e9ho<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Uzdraven\u00ed Petrovy tchyn\u011b<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Z\u00e1zrak v K\u00e1n\u011b<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Nasycen\u00ed<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Dal\u0161\u00edmi zaj\u00edmav\u00fdmi biblick\u00fdmi sy\u017eety zobrazen\u00fdmi v chr\u00e1mu Ch\u00f3ra jsou poku\u0161en\u00ed na pou\u0161ti <\/a>popsan\u00e9 evangelistou Markem a rozmluva se sama\u0159skou \u017eenou <\/a>z Janova evangelia. N\u011bkter\u00e9 fragmenty jsou bohu\u017eel neidentifikovateln\u00e9.<\/p>\n\n\n\n

\n
\"\"<\/a>
Poku\u0161en\u00ed na pou\u0161ti<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Rozmluva se sama\u0159skou \u017eenou<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

V\u011bt\u0161ina mozaik byla zni\u010dena<\/strong><\/p>\n\n\n\n

V hlavn\u00edm prostoru chr\u00e1mu se bohu\u017eel moc mozaik nedochovalo, t\u00e9m\u011b\u0159 v\u0161echny byly zni\u010deny v dob\u011b, kdy se chr\u00e1m stal me\u0161itou. Z\u016fstaly jen t\u0159i kompozice Krista a Bohorodice s n\u00e1pisy po stran\u00e1ch olt\u00e1\u0159e a dokonale zachovan\u00e1 kompozice zesnut\u00ed Bohorodice na z\u00e1padn\u00ed st\u011bn\u011b. M\u016f\u017eeme si p\u0159edstavit, jak kr\u00e1sn\u00e9 byly ostatn\u00ed barbarsky zni\u010den\u00e9 mozaiky.<\/p>\n\n\n\n

\n
\"\"<\/a>
Zesnut\u00ed p\u0159esvat\u00e9 Bohorodice<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Kristus a Bohorodice po stran\u00e1ch olt\u00e1\u0159e<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Zobrazen\u00ed byzantsk\u00e9 princezny, kter\u00e1 \u017eila na mongolsk\u00e9m dvo\u0159e<\/strong><\/p>\n\n\n\n

Krom\u011b portr\u00e9tu Theodora Metochita p\u0159in\u00e1\u0161ej\u00edc\u00edho model chr\u00e1mu P\u00e1nu Je\u017e\u00ed\u0161i jsou v chr\u00e1mu Ch\u00f3ra zobrazen\u00ed don\u00e1tor\u016f, kte\u0159\u00ed monast\u00fdr rekonstruovali a zachov\u00e1vali v p\u0159edchoz\u00ed dob\u011b. Jsou to Iz\u00e1k Komnenos \u2013 p\u0159\u00edslu\u0161n\u00edk c\u00edsa\u0159sk\u00e9 rodiny, kter\u00fd p\u0159estav\u011bl chr\u00e1m v 12. stolet\u00ed, a Maria Despina Mongolsk\u00e1 \u2013 byzantsk\u00e1 princezna, kter\u00e1 v 13. stolet\u00ed \u017eila na mongolsk\u00e9m dvo\u0159e jako man\u017eelka jednoho z ch\u00e1n\u016f a pot\u00e9 se vr\u00e1tila do Konstantinopole, stala se mni\u0161kou a aktivn\u00ed \u010dinitelkou byzantsk\u00e9ho pravoslav\u00ed t\u00e9 doby. Oba don\u00e1to\u0159i jsou p\u0159\u00edtomn\u00ed na takzvan\u00e9m deisisu \u2013 kompozici zobrazuj\u00edc\u00ed Bohorodici pros\u00edc\u00ed sv\u00e9ho Syna Je\u017e\u00ed\u0161e Krista, aby se smiloval nad lidmi. Iz\u00e1k Komnenos kle\u010d\u00ed u nohou Matky Bo\u017e\u00ed, a Maria Mongolsk\u00e1 u nohou P\u00e1na Je\u017e\u00ed\u0161e.<\/p>\n\n\n\n

\n
\"\"<\/a>
Deisis<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n
\"\"<\/a>
Iz\u00e1k Komnenos<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Maria Palaiologos<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

O\u010dek\u00e1v\u00e1n\u00ed Kristova druh\u00e9ho p\u0159\u00edchodu<\/strong><\/p>\n\n\n\n

Zvl\u00e1\u0161tn\u00ed hodnotu maj\u00ed unik\u00e1tn\u00ed pln\u011b zachovan\u00e9 n\u00e1st\u011bnn\u00e9 malby ji\u017en\u00ed kaple (paraklession), kter\u00e1 byla ur\u010dena k poh\u0159bu don\u00e1tor\u016f monast\u00fdru, v\u010detn\u011b Theodora Metochita. Slavn\u00e1 freska Sestoupen\u00ed do pekla v olt\u00e1\u0159i zn\u00e1zor\u0148uje o\u010dek\u00e1v\u00e1n\u00e9 v\u0161eobecn\u00e9 vzk\u0159\u00ed\u0161en\u00ed. Velice zaj\u00edmav\u00e1 je detailn\u00ed kompozice Posledn\u00ed soud, na n\u00ed\u017e Kristus pravou rukou jakoby v\u00edt\u00e1 Bohorodici a spravedliv\u00e9, a lev\u00e1 se ve v\u00fdhru\u017en\u00e9m gestu z\u0159ejm\u011b chyst\u00e1 chytit n\u011bjak\u00e9ho h\u0159\u00ed\u0161n\u00edka za l\u00edmec.<\/p>\n\n\n\n

\n
\"\"<\/a>
Posledn\u00ed soud<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Posledn\u00ed soud, detail fresky<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Chr\u00e1m Ch\u00f3ra zdob\u00ed mno\u017estv\u00ed zobrazen\u00ed sv\u011btc\u016f, mezi nimi\u017e jsou sv. Jan K\u0159titel, apo\u0161tolov\u00e9 Petr a Pavel, velic\u00ed pravoslavn\u00ed hymnografov\u00e9 Jan z Dama\u0161ku, Kosmas z Maiumy a dal\u0161\u00ed.<\/p>\n\n\n\n

Hlavn\u00ed odborn\u00e1 publikace o monast\u00fdru Ch\u00f3ra se skl\u00e1d\u00e1 ze \u010dty\u0159 velk\u00fdch svazk\u016f, jejich\u017e obsah zde p\u0159evypr\u00e1v\u011bt nejde. Zkoum\u00e1n\u00ed tohoto jedine\u010dn\u00e9ho souboru mozaik a fresek v\u0161ak pokra\u010duje z hlediska archeologie, ikonografie a v\u00fdjime\u010dnosti stylu a organizace sakr\u00e1ln\u00edho prostoru. Nejhor\u0161\u00ed je ale to, \u017ee po op\u011btovn\u00e9m prom\u011bn\u011bn\u00ed chr\u00e1mu na me\u0161itu tento proces bude do zna\u010dn\u00e9 m\u00edry znesnadn\u011bn. Prosme Boha, aby nyn\u011bj\u0161\u00ed tureck\u00e9 muslimy nenapadlo pokra\u010dovat v ni\u010den\u00ed tohoto unik\u00e1tn\u00edho chr\u00e1mu podle vzoru jejich barbarsk\u00fdch p\u0159edk\u016f.<\/p>\n\n\n\n

Redakce<\/p>\n\n\n\n

Fotografie: Dick Osseman (www.pbase.com\/dosseman\/istanbul_kariye)<\/p>\n","protected":false},"excerpt":{"rendered":"

Chr\u00e1m svat\u00e9ho Spasitele Ch\u00f3ra, jen\u017e je nejl\u00e9pe zachovanou pam\u00e1tkou byzantsk\u00e9ho um\u011bn\u00ed v Istanbulu, se za\u010dal stav\u011bt v prvn\u00ed polovin\u011b 4. stolet\u00ed. V\u011bt\u0161\u00ed \u010d\u00e1st sou\u010dasn\u00e9 budovy chr\u00e1mu poch\u00e1z\u00ed…<\/p>\n","protected":false},"author":1,"featured_media":2202,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[76],"class_list":["post-2201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dejiny","tag-2023-08","has-post-thumbnail-archive"],"_links":{"self":[{"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/posts\/2201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/comments?post=2201"}],"version-history":[{"count":2,"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/posts\/2201\/revisions"}],"predecessor-version":[{"id":2232,"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/posts\/2201\/revisions\/2232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/media\/2202"}],"wp:attachment":[{"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/media?parent=2201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/categories?post=2201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hlas-pravoslavi.cz\/index.php\/wp-json\/wp\/v2\/tags?post=2201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}